- Видео 140
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Robert Scovill
Добавлен 24 дек 2013
Lockdown With Dropkick Murphys
When COVID-19 took live shows off the table, Dropkick Murphys stayed connected with their fans via streamed concerts-Join the session for a behind-the-scenes look.
Просмотров: 584
Видео
Immersive Sound for Houses of Worship Featuring Orchard Hill Church
Просмотров 6912 года назад
Robert joins John Cornelius, technical director at Orchard Hill in Pittsburgh, about leveraging audio technology to bring a new sonic dimension to worship services.
Streaming Services For Houses of Worship
Просмотров 8412 года назад
Matt Wheeler, Wes Ashworth, and Mason Williams explore different streaming strategies to keep their congregations connected using Avid VENUE | S6L.
KJ Singh Presents Robert Scovill Part 2
Просмотров 1562 года назад
Part 2 of a very casual sit down with incredible audio engineer, producer and friend K.J. Singh. A fantastic conversation covering all aspects of professional and social life in our chosen field.
KJ Singh Presents Robert Scovill Part 1
Просмотров 1512 года назад
Part 1 of a very casual sit down with incredible audio engineer, producer and friend K.J. Singh. A fantastic conversation covering all aspects of professional and social life in our chosen field.
20210226 NAMM Immersive Mixing with L ISA
Просмотров 1842 года назад
In this video I work hand in hand with L'Acoustic's Scott Sugden to explain principles for object based mixing with Avid S6L and the L-isa system.
MxU Podcast 61
Просмотров 2002 года назад
So,, I find myself once again on the MxU Podcast and the topic du jur is "Can I, or Should I, use a DAW to Mix My Live Event?" We're joined by Avid DAW expert Tony Joy and attack the question from two completely different angles.
Radio Check with Chris Kansy and Robert Scovill
Просмотров 2532 года назад
A great time chatting with long time production manager and Matchbox Twenty touring mate Chris Kansy.
Beyond The Backstage Pass with Robert Scovill
Просмотров 3492 года назад
Vince Edwards invites me into his world for a whole lotta audio and live sound culture discussion. This is a fun one
MxU Podcast ep47
Просмотров 1762 года назад
Lee, Jeff and I dive back into a review of gain structure after Lee had recently sat in on one of my online presentations. We also begin what will likely be an ongoing, long term discussion of manual and automatic delay compensation for digital consoles.
The Bob Lefsetz Podcast Featuring Robert Scovill
Просмотров 2412 года назад
A really fun interview with industry super-insider Bob Lefsetz. We cover the entire gambit of topics in this lengthy interview. Everything from mixing for TV to my career path to the invention of virtual sound check and on and on. Enjoy!
24 The Lab August 30th 2021 "Open Forum"
Просмотров 1,2 тыс.2 года назад
In session 24 I open the door to the inaugural "Open Forum" where attendees are encouraged to submit questions to be answered live during the lab session. Topics for this first gathering include: 0:00 - Intro 3:05 - Using HEAT on S6L vs similar Plug ins 10:30 - Building custom Events and importing Events into snapshots 15:55 - Choosing a Ducker and using external Side Chains 38:10 - Advice and ...
23 The Lab August 16th 2021 "Bus to Bus Workflows Part 2"
Просмотров 1,1 тыс.2 года назад
In episode #23 of The Lab I continue the episode #22 discussion of bus to bus workflows but with an emphasis on parallel processing and delay compensation. The discussion focuses on the challenges with deploying multiple tiers of grouping that include parallel compression schemes that also allow source and compressed channels to then be sent on to FX busses.
22 The Lab August 8th 2021 "Bus to Bus Workflows Part 1"
Просмотров 1,8 тыс.2 года назад
In the return of "The Lab" series, we open things up with a discussion of "bus to bus" workflows for digital consoles. Topics include multi-tier audio grouping, Aux to Aux parallel FX workflows along with best practices for creating "Mults". The session offers audio examples and mutliple discussions on Automatic Delay Compensation "ADC" and Manual Delay Compensation "MDC"
21 - The Lab April 12 2021
Просмотров 1,1 тыс.3 года назад
Episode 21 of The Lab serves as part 2 of the series on optimizing your wireless microphone and ear monitor systems. The day's discussion focuses on best practices for successful transmission and reception as Robert hosts specialists from Lectrosoincs, Sennheiser and Shure to drive discussions on frequency allocation, antenna deployment and optimizing RF gain structure.
17-The Lab February 1st 2021 "Why Immersive"
Просмотров 1,1 тыс.3 года назад
17-The Lab February 1st 2021 "Why Immersive"
Venue 7 2-Track USB Playback and Recording
Просмотров 1,4 тыс.3 года назад
Venue 7 2-Track USB Playback and Recording
23 Cleveland Tom Petty 40th Anniversary Tour with Robert Scovill “The Dude Down Center”
Просмотров 1,2 тыс.3 года назад
23 Cleveland Tom Petty 40th Anniversary Tour with Robert Scovill “The Dude Down Center”
12 - The Lab August 31st 2020 / Part 2
Просмотров 1,2 тыс.3 года назад
12 - The Lab August 31st 2020 / Part 2
12 - The Lab August 31st 2020 / Part 1
Просмотров 9643 года назад
12 - The Lab August 31st 2020 / Part 1
22 Pittsburgh Tom Petty 40th Anniversary Tour with Robert Scovill “3-2”
Просмотров 1,6 тыс.3 года назад
22 Pittsburgh Tom Petty 40th Anniversary Tour with Robert Scovill “3-2”
ainda bem que sou o unico brasileiro que comenta em seu canal,, muitos estao perdendo explicaçoes que em local nenhum da internet explica;;;;
So much great info - thanks very much to both of you! Some bookmarks for me: Tuning a PA 7:14 Become a better mixer 9:11
Some bookmarks for me: Roxy Music reference 13:56 14:57 30:55 32:59 34:24 37:54 39:51 43:43 46:19 47:55 50:00 52:00
Watch this whole presentation! But also, here are some bookmarks for me: Line level: 14:14 Is this a good level for a snare? 30:59 "The Challenge" 56:01 Or, go the other direction: 1:04:44 Question 1:10:36 External Preamps 1:17:25
Bookmarks for me: Console setup: 46:35 Entire signal path right in front of you 54:26
Some bookmarks for me: Top 5 things Robert did NOT say… 3:10 What he DID say: #1 3:50 #2 4:51 #3 5:45 #4 5:57 #5 7:53 …for instance, a snare: 8:16 10:40
Some bookmarks for me: If you're claiming to be a soundguy… 1:38:35
Some bookmarks for me: All channels go to submasters 7:05 Robert's Submasters, DCAs, spill 13:37 The idea is… 14:55 Submasters 21:07 Difference mixing on submasters vs. VCAs 22:52 VCA grouping 23:52 Navigating 31:15 Layout 36:54 DCA driving drums into Compression 40:00 Uses for DCAs 41:12 And this as well 43:19 PA Grand Master 49:10 Making 1dB moves on the band 51:48 Building "Offset Mixes" 53:15 The whole show is mixed right here 1:00:16 If it's time to rock… 1:06:20
Robert, great video of the setup in the "stein". Where could I purchase an approved copy of this show? It was my first and last Petty show. Ty
Sorry but I heard Big Kevs mix of Green Day on a Neve 5088 live and holy cow,,,,amazing ….now Green Day is not a huge channel count So limitations there …but that was a fat warm mix
I am producing a retrospective film on Roger Waters. Could I please ask permission to use the short film by Chris Kansy, where he explains what goes into a Roger Waters concert. Kind regards Barry
45:50 Note to self
Hi Robert, apologies for taking you 2yrs back.. I need to understand how or what you use to delay your audio tracks to ambience mics.
how do you now patch your physical cue/solo wedge?
Fantastic video Robert! I got pretty much most of what I needed for my last minute show
So nice to have a deep insight into sound aspects of a major band tour. Thanks for making it and for sharing. Super
My pleasure -- thanks for watching!
Thank you for sharing ❤️👌
Great Video, I am learning tonnes from your videos. Thank you
U TAKE A LONG BORING WAY TO EXPLAIN SIMPLE THINGS AN MAKE THEM MORE COMPLICATED THAN IT REALLY IS
live mix is a great sounding iem system!
How do you link 2 channels like for example to make it a stereo link if I have a stereo keyboard? Thanks!
S6L does not currently offer “channel linking” - but - you can take any 2 channels and create a “stereo” channel. Attention any two channels, right click on the second channel attentioned and select “make channels stereo”
@@RobertScovill thanks a bunch! Will try that
💯 ƤＲＯ𝓂Ｏ𝕤ᗰ
❤️❤️❤️
Just stumbled across your channel. I was at the Cynthia Woods Pavilion concert. It was very interesting to see another perspective. Enjoy your videos.
wow this is the one where I won Jays headphones🥳. Thank you Robert and K J sir. those sessions during covid helped a lot
This is really nice! Thanks KJ and Robert for taking out time!
hey robert, your concept of remote mixing a live show from a remote studio was done in 1996 by bob lentini mixed from his studio in las vegas NV to a show in nashville TN using a 28.8kbps global village teleport platinum modem. just sayin…
Was at this one! Had know idea it would be the last time. It was my 5th time .
Thank you
Wow thank you.......
I'm going on tour in a couple of months and they have wo of these for FOH and monitors. Personally I've never used one so these videos are helping me to get a minimum of knowledge. Thank you very much for posting.
Maybe I missed it, but I can figure out how to make a aux/grp/mtx stereo instead of mono?
Very simple - put the console in CONFIG mode - “attention” any two (or more) inputs or outputs. Right click any of the attentioned channels and select make stereo.
If you’re on version 6.5 or later you can “attention” channels, then select “make stereo” in the right TFT screen.
Okay, at the delaying to vocal section. I'm on the dlive and it doesn't have buss to buss routing as of march 2022. so what I do is route my band to groups and the groups to the main l/r buss and that buss goes to the matrix that is feeding the pa. and then my vocals run to a group and from the group to the main matrix. I went through and delayed the vocal group to the band main l/r because the band takes longer. so if I were to play around with the acoustic delay (drum bleed into main vocals) would it be better to do it at the group level like you were saying or delay the main l/r buss because that is where the band sums. Thanks :) I'll try either way but on the dlive I can't type the delay in, i have to spin the encoder for hours on end to get to the number I want. 😂
If that console does not offer ADC, I would suggest doing all insert alignments BEFORE implementing any group delays targeted at latency offsets or microphone delays targeted at propagation offsets. As for delaying music to the vocal bleed I would definitely do that after your latency alignments -- I have done just the drums and I have done all music back to the vocal bleed -- but a word of caution here; you have to pay attention to where the singer is getting his timing cues i.e from close mics in his ears or from the bleed into his mic or is he on wedges? If it's the bleed or wedges and he plays an instrument, you'll have way more success with it. It's a matter of picking the better of the two evils and is a balance of compromises regardless. Choose wisely ... 🙂
@@RobertScovill it does not, not even with their own dyn8. but I went through my I/o with smaart and made sure everything was hitting my pa/sub matrix at the same time. I work at a church without a drum shield, which is fine, and for the most part the main worship leader stays parked in front of the drums. So I was curious how that would sound with the drums/band delayed to the vocal mics. Being I have my routing, band groups to main l/r, would the acoustic delay work better at the main l/r or at the groups. However drums are upstage left. Would it be better to align to vocal mic down stage right since that would be the furthest (they all take turns leading) or to whichever has the most bleed. I’m leaning towards most bleed. Thanks 😊 also, have to figure out a way to get overheads lined up. Have to find a speaker and mount it into a snare. Right now it’s the cable method to lug closest to kick. I tried pink noise from an iPad but the volume wasn’t loud enough to get a solid trace.
@@micahmuth4256If you have a "music group" I would do the alignment there. I would pick an alignment point where the bleed is the worst / most destructive. You'll just have to judge how well it is actually working. Put a keen ear on what it might be doing to the groove of the performance vs. the improvement in overall phase. Be careful.
Yes! I was having some trouble with my ducker settings. Thanks!
Always here to help! Hahaha!
🔥🔥🔥
Interesting! Thank you!
Robert, with all of your experience, knowledge, technical skills, teaching ability and your ears, you have to be the most humble down to earth guy I've ever watched and listened to. It seems to me there are a few sound engineers out there that have a totally different attitude than you do. When they reach a certain level they seem to develop a chip on their shoulder along with a huge ego. Almost above teaching and helping others learn the craft but not you sir. I've never met you in person but watching your videos it's so apparent that you 110% enjoy giving back and sharing with everyone and to me, that puts you in a league of your own. So inspiring to watch!!
Chris - thank you so much for this very kind response. It makes it all worth while. 😉
Feliz Cumple en el CIELO Maestro ... RIP ... ruclips.net/video/7NpTb5UNiKg/видео.html
Hey Robert, Been really enjoying your videos. Thanks to you and Chris Madden I really want to do a gig on a S6L now. Any chance of a video of you taking through your Tom Petty show file and maybe mics and outboard you used as well. Cheers
Hey that's awesome thanks! RE: Petty etc. yeah, check out my playlists for daily blogs on the MudCrutch tour and the 2017 Tom Petty Tour. Prolly some good info in there --
Nice video, Robert! I just happen to watch and see an Alan Wellman sighting at 5:23!!! RIP, AW...
Yes indeed. That was the last time I interacted with him.
Great video! Where are you measuring from on Smaart?
A mono matrix carry’s the pink noise from a channel as a reference, a second mono matrix carries the LR bus as the measure.
Such good info right there! Especially the part about the snapshot strategy at the end there. I think it could be a cool Lab (or part of a Lab) topic
Cool#
#Word *Always the #BEST
Thanks Robert, for making this presentation clear, concise, and understandable to layman such as myself. Appreciated!
Thanks so much for the kind complement!
Thanks Robert is great to be back and keep learning from you
Thanks Robert! This is great as always.
Thank you!
As usual Robert, thanks.
Thank you Derek --
@@RobertScovill The pleasure is all mine. I think you really have to drill it home to people, especially people at my level (clubs etc), that they simply cannot go thinking they can Parallel process especially on entry level digital desks that don't have their busses phased aligned. I've seen it tried so often (guilty).
@@derekrushe yeah I hear ya. You CAN do it on the smaller consoles, it just eats up a lot of resources to do it and a lot of time ends up not being worth it.
Super excited to be back 🥳 learnt so much from all previous episodes. Thank you so much for The Lab
Thank you!
hello a question the submaster are the aux
If I understand your question correctly, no -- a submaster is an audio subgroup, not an aux.
@@RobertScovill thanks
@@RobertScovill if understand Ok the sub masters are the sub groups \ correct
@Robert Scovill I’m having a challenge especially on the offline editor for instance, I’m trying assign kick,snare or Toms subgroup to a Drum sub master. Should it be done on the console?